Ferrara Ba\u015fpiskoposu Giancarlo Perego, vivaldi’nin “Il Farnace” eserinin Per\u015fembe g\u00fcn\u00fc kentteki halk tiyatrosunda d\u00fczenlenen a\u00e7\u0131l\u0131\u015f\u0131na kat\u0131l\u0131yor ve bu karar, tiyatronun sanat y\u00f6netmeni taraf\u0131ndan ge\u00e7mi\u015fi iyile\u015ftirmeye ve Vivaldi’nin az bilinen eserlerinden birini vurgulamaya yard\u0131mc\u0131 olan “muhte\u015fem bir jest” olarak \u00f6vg\u00fcyle kar\u015f\u0131lan\u0131yor.<\/p>\n
Marcello Corvino, Kral Pharnaces II’nin trajik hanedanl\u0131\u011f\u0131n\u0131n hikayesini anlatan “Il Farnace”in galas\u0131 \u00f6ncesinde The Associated Press’e verdi\u011fi deme\u00e7te, “Ferrara’da ondan al\u0131nanlar\u0131 Vivaldi’ye geri getirmek istiyoruz.” dedi.<\/p>\n
Tarih\u00e7ilere g\u00f6re, Kardinal Tommaso Ruffo Vivaldi’yi Ferrara’dan yasaklad\u0131\u011f\u0131nda, \u0130talya ve \u00f6tesinde ba\u015far\u0131 elde eden “Il Farnace”in planlanan 1739 Karnaval prod\u00fcksiyonunun iptali anlam\u0131na geliyordu. Ruffo’nun sebebi mi? Katolik bir rahip olan Vivaldi, Ayini kutlamay\u0131 b\u0131rakm\u0131\u015ft\u0131 ve \u015fark\u0131c\u0131lar\u0131ndan anna Giro ile ili\u015fkisi oldu\u011fu s\u00f6yleniyordu.<\/p>\n
Corvino, ger\u00e7ekte Vivaldi’nin Mass’\u0131 kutlamad\u0131\u011f\u0131n\u0131, \u00e7\u00fcnk\u00fc uzun zamand\u0131r solunum problemlerinden muzdarip oldu\u011funu ve Giro ile ili\u015fkisinin solistiyle herhangi bir bestecininkine benzedi\u011fini s\u00f6yledi.<\/p>\n
Corvino, iptalin Vivaldi i\u00e7in mali a\u00e7\u0131dan felaket oldu\u011funu, \u00e7\u00fcnk\u00fc \u00fcretimin paras\u0131n\u0131 \u00f6nceden kendisinin \u00f6dedi\u011fini ve enstr\u00fcmantal \u00e7al\u0131\u015fmalar\u0131n\u0131n lehte d\u00fc\u015fme nedeniyle zaten bir d\u00fc\u015f\u00fc\u015f d\u00f6nemi ya\u015fad\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n
![\"\u015eark\u0131c\u0131lar,](\"https:\/\/media-cldnry.s-nbcnews.com\/image\/upload\/t_fit-760w,f_auto,q_auto:best\/rockcms\/2021-12\/211230-vivaldi-italy-2-ew-1145a-e5f107.jpg\")
<\/p>\n
Vivaldi borca girdi ve 1741’de Viyana’da \u00f6ld\u00fc. Ancak el yazmalar\u0131 yeniden ke\u015ffedildikten sonra “The Four Seasons” ve di\u011fer kon\u00e7ertolar i\u00e7in \u00f6l\u00fcm\u00fcnden sonra \u00fcn kazand\u0131.<\/p>\n
Operay\u0131 y\u00f6neten ve Vivaldi’nin d\u00fc\u015f\u00fc\u015f\u00fc hakk\u0131nda son y\u0131llar\u0131n\u0131 anlatan “L’Affare Vivaldi” adl\u0131 bir kitap yazan Federico Maria Sardelli, “Ferrara \u015fehrinin Vivaldi’ye sundu\u011fu neredeyse bir aklama, gecikmi\u015f bir \u00f6vg\u00fc.” dedi.<\/p>\n
Sardelli, Kardinal Ruffo’nun Venedikli bestecinin Ferrara’ya ayak basmas\u0131n\u0131 yasaklamas\u0131ndan sonra, Vivaldi’nin ba\u015flang\u0131\u00e7ta prod\u00fcksiyona uzaktan puan vermeye \u00e7al\u0131\u015ft\u0131\u011f\u0131n\u0131, a\u00e7\u0131k sahne y\u00f6nlerinin yan\u0131 s\u0131ra normalde \u015fark\u0131c\u0131lar\u0131na bizzat verece\u011fi etkileyici ve yorumlay\u0131c\u0131 notlar yazd\u0131\u011f\u0131n\u0131 s\u00f6yl\u00fcyor.<\/p>\n
Bu notlar, hi\u00e7 sahnelenmeyen Ferrara prod\u00fcksiyon i\u00e7in haz\u0131rlanan el yazmas\u0131nda kal\u0131r. Sardelli bir tan\u0131t\u0131m videosunda, bu notlar\u0131n Per\u015fembe g\u00fcn\u00fc iki gecelik bir ko\u015fu i\u00e7in opera a\u00e7\u0131l\u0131\u015f\u0131na rehberlik sa\u011flad\u0131\u011f\u0131n\u0131 s\u00f6yledi.<\/p>\n
“Vivaldi’nin s\u00fcrecinin bir aynas\u0131 olan bu hazineye, bu skora sahibiz.” dedi. “Hi\u00e7bir Barok bestecinin bir notaya yazmad\u0131\u011f\u0131 inan\u0131lmaz \u015feyler yazd\u0131 \u00e7\u00fcnk\u00fc bunu bizzat s\u00f6yleyeceklerdi. Vivaldi’nin sesinin bu skora yaz\u0131lmas\u0131n\u0131n baht\u0131n\u0131 ya\u015f\u0131yoruz.”<\/p>\n\n\t\t
Ferrara ba\u015fpiskoposu, 1739’da Vivaldi’nin operalar\u0131ndan birinin sahnelenmesini fiilen iptal etti ve \u00fcnl\u00fc Barok besteciyi s\u00fcrg\u00fcndeki son y\u0131llar\u0131 i\u00e7in borca g\u00f6nderdi. ROMA \u2014 Katolik Kilisesi ve kuzey \u0130talya’n\u0131n Ferrara \u015fehri, \u015fehrin ba\u015fpiskoposunun operalar\u0131ndan birinin sahnelenmesini fiilen iptal etmesinden yakla\u015f\u0131k 300 y\u0131l sonra Antonio Vivaldi ile bar\u0131\u015f\u0131yor ve \u00fcnl\u00fc Barok besteciyi s\u00fcrg\u00fcndeki son y\u0131llar\u0131 i\u00e7in borca g\u00f6nderiyor. …<\/p>\n","protected":false},"author":1,"featured_media":1106,"comment_status":"closed","ping_status":"open","sticky":false,"template":"","format":"standard","meta":{"footnotes":""},"categories":[2],"tags":[56,55],"class_list":["post-922","post","type-post","status-publish","format-standard","has-post-thumbnail","hentry","category-tie-world","tag-italya","tag-vivaldi"],"_links":{"self":[{"href":"https:\/\/fonexmedya.com\/index.php?rest_route=\/wp\/v2\/posts\/922","targetHints":{"allow":["GET"]}}],"collection":[{"href":"https:\/\/fonexmedya.com\/index.php?rest_route=\/wp\/v2\/posts"}],"about":[{"href":"https:\/\/fonexmedya.com\/index.php?rest_route=\/wp\/v2\/types\/post"}],"author":[{"embeddable":true,"href":"https:\/\/fonexmedya.com\/index.php?rest_route=\/wp\/v2\/users\/1"}],"replies":[{"embeddable":true,"href":"https:\/\/fonexmedya.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcomments&post=922"}],"version-history":[{"count":1,"href":"https:\/\/fonexmedya.com\/index.php?rest_route=\/wp\/v2\/posts\/922\/revisions"}],"predecessor-version":[{"id":1107,"href":"https:\/\/fonexmedya.com\/index.php?rest_route=\/wp\/v2\/posts\/922\/revisions\/1107"}],"wp:featuredmedia":[{"embeddable":true,"href":"https:\/\/fonexmedya.com\/index.php?rest_route=\/wp\/v2\/media\/1106"}],"wp:attachment":[{"href":"https:\/\/fonexmedya.com\/index.php?rest_route=%2Fwp%2Fv2%2Fmedia&parent=922"}],"wp:term":[{"taxonomy":"category","embeddable":true,"href":"https:\/\/fonexmedya.com\/index.php?rest_route=%2Fwp%2Fv2%2Fcategories&post=922"},{"taxonomy":"post_tag","embeddable":true,"href":"https:\/\/fonexmedya.com\/index.php?rest_route=%2Fwp%2Fv2%2Ftags&post=922"}],"curies":[{"name":"wp","href":"https:\/\/api.w.org\/{rel}","templated":true}]}}